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A still from Matkalla, 2022
Eeva-Maria Mutka
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My art

My practice sits on the edges between Theatre, Dance and Visual Art.

I make embodied visual art; semi-permanent sculptural forms, mark making and photographic images co-emerging with performative action, made with commitment comparable to the one-breath stroke of calligraphy.

My lineage is in the field of new dance and somatic, experimental performance. I have been particularly influenced by Japanese Butoh dance-theatre & its aesthetics, the nature-allied imagery of Skinner Releasing Technique, Body and Earth somatic movement work - and Buddhist thought & practice. For nearly 20 years I lived on an old farm at the edge of the wild, and I have learnt a lot from the daily encounters with what I call the ‘march of the wild’ – the tension and balance of our effort and nature’s force.

 

In all my work, be it with the independent choreographers I have collaborated with to create performances, or groups of children, or those who have suffered a stroke….I seek to touch a tender listening through the senses. I encourage and allow a flow of responses and transformation in the body, unhindered by the usual social norms/masks. Images and meanings come up that are pre-verbal and unique to each individual. With somatic embodiment, simple choreographic scores and the philosophy of non-striving, I see a natural grace emerge in people as they move, connecting with their inner life of sensation and imagination. Seeing and being seen empowers us. When we meet ourselves and each other’s worlds with curiosity and humanity, powerful and deeply meaningful images appear.

Biography

Eeva-Maria

 

is a performer, installation maker and community dance leader currently based in Bristol, UK. She grew up on the Arctic Circle, Finland, but has lived in the UK since the age of 17.

She trained initially at London Academy of Movement and Dramatic Art 1989-92, and has since been collaborating & performing internationally in dance theatre & film, site specific works, cross art form improvisations, cinema and TV in the UK and Finland.

 

She has trained and apprenticed with numerous choreographers & directors including Gaby Agis (SRT), Miranda Tufnell ( Body Space Image), Andrea Olsen (Body and Earth) and Tetsuro Fukuhara (New Butoh). Since 2020 she has been making embodied visual art whilst being mentored by artist elders like Chris Crickmay and her work endorsed by David Ward (UK) and Rosalyn Driscoll (US).

 

Over three decades+ some of the highlights of her career include:

Artist-maker-performer in

- Putting Our House In Order, Shared Habitat collaborative exhibition with performances; Goldhahn, McInerney, Mutka & Young, Birchwood House Gallery, Totnes, (Jan/Feb 2025)

- 1 month residency at Jamaica Street Studios + Open Studios event, Bristol(Aug & Sept ‘25)

- Selected to be member of New Platform Art cohort 2025-26.

- 1 week residency at The Launderette gallery Bristol, what’s in a river, passing (Apr 7-14th 2025)

- Collaboration with artist Helen Acklam in clay at The Laundrette gallery (Feb 2025)

- Collaboration with artist Vera Boele-Keimer in Crossing the line/and back, exhibition with live performances at SVA Gallery Stroud (Aug 2024),

- Installation/performance Transience of Forms Northampton Center for the Arts, US (June 2024)

- Mrs Perfume performs... a new opera in voice, movement and visual art, made in collaboration with company kissküss/Anthony Haddon, Bristol (2024) and Psychonaut Scratch London (2025)

- Collaboration with poet Jonathan Edwards, a National Dance Company Wales/Literature Wales commissioned short film PaperRoll – Homage to Jack Kerouac as part of Plethu (2021)

- ACWales -funded Shimmer (2020) - physical dialogues between form and movement,

- Groundwork Pro Wales/ACW -funded: Seeds series of video studies for online viewing (2020)

 

Performer and co-creator in works by significant artists in the UK & US: including

- Y Llyn -The Lake,15 date tour by BANDO throughout Wales, (Sept 24-Feb 25)

- Scotty Hardwig & Andrea Olsen Matkalla (2022) - 6 Best Short Dance Film awards globally

- Miranda Tufnell/Sylvia Hallett/David Ward Pneuma 9 year Project, Oxford, Cardigan, Leeds, sites in Northumberland (2013-2021)

- Traces of Tissues, performer in Betwixt Somatic Costume and Dance performance at PQ Site Specific Performance Festival in Prague (2019)

- Florence Peake & Jonathan Baldock Apparition of the Phantom Limbs Experimentica, Cardiff (2014)

- NORTH -Hidden Behind the Darkness with Gaby Agis & Titta Court: Research trips to Arctic Canada and Lapland 2013 – 2020. Performances in Trinity St. Davids Wales and Kirkenes Museum.

- Jo Fong Witness Portraits of Women Who Dance three screen film installation (2012-)

- Jo Shapland Dance for Neanderthal, Wales Millenium Centre (2010)

- Gaby Agis Close Streams Turner Margate (2016) & Leap (2018) and Explicit Faith at LSO (2004)

- Tetsuro Fukuhara Affinity - Space Dance East Winds Festival of New Butoh, Chisenhale (1995) followed by annual performances in the UK + Lisa Ullman scholarship funded study in Japan 1998

- TV & film work including roles in Lovejoy and Taggart, several poetry/story programmes for YLE Children’s & Young People’s Channel, WSOY Audiobooks and Anssi Manttari feature Mestari

Featured in books and online resources:

2 books by Andrea Olsen and Caryn McHose: The Place of Dance & Moving Between Worlds, + interactive learning resource www.body-earth.org

Producing artists’ residencies, an international education programme Body, Movement, Environment & this is somatic at Penpynfarch Wales over 18 years, 2003-2020.

 

E-M has developed a sustained community arts practice with groups in the areas of Arts & Health and Creative Dance:

She has qualifications to deliver the Touch Trust programme and the Youth Mindfulness 8 week programme. Drawing on all her experience she has created and led projects with people of all ages and abilities, including Creative Dance with children, parent & child Movement Play, young people with disabilities, adults with learning disabilities, and the elderly in care home & day club settings, most recently as part of the Bristol based Alive Charity. E-M has lead weekly sessions for Stroke Association Wales (2020-21) and assisted Rosetta Life in projects to do with Vision Loss & Proprioception after Stroke (2021) and Heart of Care with Bristol Black Carers (2022-23).

Eeva feels passionately about the importance of sensory experiences and creative opportunities for all, for learning, health and happiness. Sustainability education starts with ourselves, our own bodies.

Currently E-M works 3 days a week at Little Foxes Forest Preschool, Bristol.

Movement based
Making work

“I want the poem to ask something and, at its best moments, I want the question to remain unanswered.”  ― Mary Oliver, Winter Hours: Prose, Prose Poems, and Poems

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Performing images,
with links to films
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Click on image to view this experiential resource. Created by Olsen & McHose, filmed and edited by Scotty Hardwig, performed by many wonderful dance artists and somatic practitioners, including London & penpynfarch filming: Susanna Recchia, Fabiano Culora, Andrea Olsen, Caryn McHose and Eeva-Maria Mutka. 

Community Arts Work

Click on image to view and read more about a Youth Dance film 

A Fragment of Wild/Tameidyn Gwyllt (2021)

made in West Wales over a couple of years, directed by Stirling Steward & Eeva-Maria, and produced by Maynard Abercych 

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Click on image to view 

Mary Lovely as a Tree (2016),

a poetic portrait film made by Eeva-Maria & Siri Wigdel, as part of Age Cymru's cARTrefu Performing Arts residency at Awel Tywi, Llandeilo. Mary was 104 then and will be 112 in March 2024,

Wales' oldest person.

Viewing:

 Paper Roll - Homage to Jack Kerouac

Poem written and read here by Jonathan Edwards, a NDCW & Literature Wales Commission 2021

E-M's Creative Dance logo, relevant to all ages

© 2020 By Eeva-Maria Mutka

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